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Joined: Dec 2000
Posts: 2
Junior Member
Junior Member

Joined: Dec 2000
Posts: 2
Hey, everyone. I'm new here.

I've ordered the home-study course for Christmas, and I can't wait to get started. I am a University student with a good average, but with room for improvement.

However, I do have a question, and no doubt it's probably been asked before. I am an avid reader of novels, and from what I've read of the PR technique, it seems that you engulf the book as a whole and draw things out of it. But aren't novels different from technical writing in that they are linear (ie. the way your left-brain reads) and meant to be read a word or a sentence at a time?

I'm not presupposing that once I learn PR that I will never PR a novel, but I have to ask... Does the story you read in a book in 20 minutes hold the same meaning as when you've read it over a few hours?

I am 22 years old, and I am not ashamed to admit that upon reaching the ends of a couple of well-remembered books I have been forced to tears. But I fail to see how this could happen by PRing the same novel and then "activating" it later. Wouldn't it be like knowing the ending before you even start?

I'm skeptical, but still willing to approach PR with and open mind. With all of the success stories and the popularity of this forum, I have little doubt that PR is an immense help when dealing with technical writing. That skill is something I hope to put to great use in my university career. Yet I just want a detailed explanation about the PRing of novels and how one can perceive them as linear stories instead of a PRed deluge of events which does not take the time to build up to a significantly emotional climax.

I myself read relatively fast when I am in a "relaxed" state, although I haven't gotten the course yet so I don't know what their version of "relaxing" entails. I have been known to go through 400 page books without speed reading in less than 5 hours (four pages every three minutes), but still it was linear. Perhaps I am just unenlightened, but I can't see reading novels any other way and getting the same emotional effect.

GreyWyvern






Joined: Aug 2000
Posts: 903
Member
Member

Joined: Aug 2000
Posts: 903
GreyWyvern,

Congratulations and welcome to the club!!!

PR is a flexible system, one in which you apply the techniques as you see fit. There is no one right way of doing it ... by this I mean, you apply whatever steps in the system you feel that will reach your goal.

There are several approach's to reading all type of material of which you will learn in the course. Including novel's ...

Your whole success is determined by keeping an open mind, being positive and practicing!!! Skepticism will eventually be replaced by belief as you start to see results ... and you will!!!

Your PR course will not only serve you in university but in other areas of life ... you'll see!!!!

If you have any questions, and more than likely you will when beginning, drop by the forum ... we have some very fantastic members willing to share their idea's and thoughts.

Oh, and by the way, the PR course may well be the 'best' Christmas present you receive in you life!!


Michael Saikali






Joined: Feb 2000
Posts: 1,504
Likes: 6
Learning Strategies
Member
Learning Strategies
Member

Joined: Feb 2000
Posts: 1,504
Likes: 6
If your purpose is to understand the novel for a class, as background to another novel, general information, or whatever, then the PhotoReading whole mind system is superb. zip zip

If your purpose is enjoyment, you will find yourself enjoying more books more.

First, you won't waste your time on books you don't like. I PhotoRead all novels in the bookstore or library. I immediately get a sense from which I can determine whether or not I will like the book. I am seldom wrong. There are times I went on to read the book even though I got the sense I didn't like the book. These are usually for books recommended by someone or books that I think I should like.

Second, when you go back to read the book, the first thing you won't notice is that you are going two, three, four times faster than normal, and it doesn't feel like you are reading faster at all. It feels like you are going just as slowly as ever, because you are enjoying the book as much, if not more than ever.

Plus, if it is a murder mystery, you have the sense you can solve it in the next chapter, page, paragraph--because a part of you has been there before. The stories are richer, characters' fuller, and if the author says "he walked into the room and it had a feeling of familiarity about it," you too will have that feeling because, again, a part of you has been there before.

I was on a beach holiday once where I enjoyed a novel each afternoon under a grass umbrella on the beach. I read five great novels in five afternoons, while this other guy who was often at the next umbrella worked on one book all week. He said to me, "I don't know why you would want to go through books so fast. Wouldn't you prefer to make the enjoyment of the novel last all week."

I said, "With all of the great books out there, why?"

That said, there are still books that I re-read paragraphs and chapters simply because I enjoyed the way the author put something so much. Or, because I feel reflective, or I want to comtemplate my thoughts or the author's thoughts.

Here are three good examples:

Michael Cunningham's The Hours." I loved the way he wrote the story. (None of his other books measured up, however, and Virigina Wolff and I are not one, but boy did I enjoy "The Hours" as well as the hours reading the book and thinking about the characters, imagining their lives, and dissecting how he put the story together.)

Kathleen Norris's "Dakota." She writes with a simple magnficence, with elegance and eloquence, and I am with her every step of the way. I resonate with her style, her choice of words, her imagery. While I'm not a fan of her poetry, I've enjoyed all of her other books, and I often revisit them. I'd love to have dinner with her--I get the feeling we could talk for hours.

"Under the Tuscan Sun." While the book is not as well written as I would have like, she captured my imagination and transported me to Tuscany. I'd love to have dinner with her--at her villa. I'll bring the wine.

I just realized that the rest of the post has been about novels, however, only one of my three examples are about novels. But as poet Lawrence Ferlinghetti wrote "Oh, well, what the hell."

(By the way, if anyone knows where I can find a copy of that poem, I would appreciate it. There is a great story about the poem that I will share when I have it. The story goes with the poem, and vice versa.)







Moderated by  Patrick O'Neil 

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