Brandon
Brandon
Have you tried the cocktail wienie effect? It gives you an idea of how it is formed.
It looks like a third page curved over in the middle of the book. Varies in width from person to person and even in width for a person during different photoreading sessions.
It you have trouble seeing it, just use the imaginary x technique. It works just as well.
Alex
[This message has been edited by mathematician (edited August 19, 2002).]
It's a good way of starting out if you're struggling with the blip page or have poor vision in one eye.
Alex
This is how a regular page layout looks:
That's a recreation of pages 4 and 5 of Zen and the Art of Motorcycle Maintenance, side by side, as if you had the pages spread out.
Here's that same image when your eyes are diverged:
So you're thinking, "I can't read ANY of that!" Don't worry, you're not supposed to, that's the point for this part of the process. Please note how the page numbers have made phantom copies of themselves side by side.
This is the Blip Page itself, highlighted from everything else:
Hope that helps...if you have problems understanding it, let me know.
-Ramon http://razor.ramon.com
[This message has been edited by razordu30 (edited August 19, 2002).]
Getting the blip down varies A LOT between each person. I got it right away, since I've been diverging my eyes on purpose since grade school (I was so good at Magic Eye pictures that during a Cheerios commercial advertising their new "3D picture" box, I was able to get the picture in the 2 1/2 seconds it was on screen, while it was in the background).
For other people, it is the hardest part of the program, bar none. One drawback about the blip page, in fact, is the difficulties some people have diverging their eyes.
In other words, how long it takes to get the blip page depends more on you than anything else.
The cross X method works too, but as far as I know, there's kind of "two" X methods.
One is while you have a blip page, imagine an "X" through the book, each point of the "X" touching each of the four corners of the page spreadout. This helps you get the whole book in your peripheral and normal vision.
The other is basically the same thing, only without the blip page. I guess what I'm saying is that the "x" method isn't necessarily a replacement for the blip page, though it can be.
If you can't get the blip to work, but can get the "X" to work, the "X" method, for you, works better. If you CAN get the blip to work, I'd rather go with that.
The great thing about PRing is that it's so customizable to your own needs and abilities.
Take care and good luck
-Ramon http://razor.ramon.com
Also, off the subject, what is your website about? Just curious.
ABSOLUTELY "GENIUS"!!!!!!!!!
quote:
Originally posted by blue:
I did not understand how my mind, even the subconcious mind, could possibly absorb text that was visually garbled and nonsensical. But would you say that is the point of the step where the reader photoreads? To shut of the concious by confusing it with the blip, so that the subconcious can take hold? Does it work for you?
It works for me. We fail to notice that everything we are not focusing on directly is blurred and yet the inner mind is still has a clear idea of what is its seeing. It's only when we turn to look at it directly that we see it 'in focus'. So it stands to reason that the mind can recognise the letters on a page without our having to look at them directly. Especially when you consider how often we see the written letter forms in our daily lives.
Alex
My suggestion is that you turn the book upside down. Soft focus on it and imagine that an X has been drawn through it linking the outer corners of the book crossing in the middle. Just gently gaze at the point in the spine where the imaginary X crosses (the middle of the book). From there do the rest of the steps (page turning and chanting etc) and finish on a positive note as Paul says.
Let the blip page come when it comes, if it comes (it's not necessary) It's just a method of knowing you've changed your focus from a hard looking at the word focus to a looking at the whole picture focus.
Using the imaginary X technique you have 5 points to keep in your vision the four corners and the middle of the book. That is how you ensure that you are soft focusing on the whole 2 pages.
You want to photoread with a parallel vison (an eye on each page) rather than regular reading vision... http://www.vision3d.com/3views.html
This link will explains what your eyes do with regular reading and follow the links at the bottom for some alternative techniques.
Alex
[This message has been edited by AlexK (edited September 08, 2002).]
-Ramon http://razor.ramon.com
bbarclay6
which one am i viewing when i photoread?
i.g. when noticing the blip page and the four corners of the book, is my eyes diverged to parallel viewing it or cross-eye viewing it....
maybe it doesn't matter which one it is....
and texts in still being absorbed into the other-than-conscious mind
with the stereogram in the photoreading workbook i find that i can push the image further in and distort the letters...(has n e one noticed it?)
Alex
They are clear when you superread and dip. You use normal focus while superreading and dipping.
Alex
The words clear up and start to float 'with practice'... you still see the blip page.
As a beginner it is burred. Later after much practice the words start to appear clear and float... you don't want to 'read' while in photofocus just take a mental look at the 2 pages.
Alex
Some people will find that the eyes make adjustments because of the exercise, causing the words to become clear and float.
Both ways work fine. Both ways tell you you are in the correct photoreading state.
Alex
Alex
Alex
Alex
Great job on the graphics ... Paul and Pete should use it for their 4th edition of the PR book.
There is so much feedback from this forum that a 4th edition would not be difficult to do!